Sometimes the pillars of the temple stand apart

They rehearse the wedding details
In the middle of the arts fair.

Someone’s selling handmade pipes
While the groomsmen stand in line.

The wedding planner wrings and wrangles
And a jewelry-maker works a deal.

Many random people block the bride
Unsure of where and if they fit.

I’m watching all this with my poem.
A half-full beer within arm’s reach.

Random people weave around me.
No one’s sure if this is it.

Sometimes the pillars of the temple stand apart

Tearing Away From The World

I told my son
About your dirt road
And how we’d drive too fast
Just to kick up dust behind us
Like a demon’s sandy sneeze.

I told him about the graveyard
Across the rocky road
And the long-abandoned church
With its broken stained-glass windows.

I told him about the dull lights
And the squalling caterwauls
Late nights on your back porch.

I told him what we found there
Among the crooked, sun-sprayed tombstones.

I told him all these little things and more.

He responded with a shiver, “Oh, Daddy! Daddy, why?”

Tearing Away From The World

Sans Social

A week ago, I dropped Facebook/Instagram. (I booted my Twitter account over the summer.) I feel nice about this. I have enjoyed many parts of social media, but have zero trust regarding the companies themselves and, generally speaking, feel that social media has done more harm to society than good, in aggregate. I try to be a responsible consumer in other areas of my life and feel that responsibility should extend to social media.

Next is to try to disentangle from Google, which seems Herculean and isn’t technically social media but is an technosystem powered by the same society-warping ethos. These actions aren’t based upon a fear of technology. I’m a technologist by trade. These actions are ones people should take in order to affect a change – social media companies don’t have to operate the way they currently do. They can be a force for good in the world (and oftentimes, great movements begin with social media only to get subverted by opposition forces using downward-dragging emotional tactics which social media favors for purposes of end user engagement.) Only we can force social media companies to do better in the world.

https://www.theguardian.com/books/2018/jun/30/new-dark-age-by-james-bridle-review-technology-and-the-end-of-the-future
https://www.nytimes.com/2018/06/13/books/review/jaron-lanier-ten-arguments-for-deleting-your-social-media-accounts-right-now.html
https://slate.com/technology/2018/10/facebook-data-breach-2018-victims-cybersecurity.html
https://www.theverge.com/2018/10/8/17951914/google-plus-data-breach-exposed-user-profile-information-privacy-not-disclosed
https://news.slashdot.org/story/18/10/15/2135254/most-americans-cant-tell-the-difference-between-a-social-media-bot-and-a-human-study-finds
http://calnewport.com/blog/2018/10/28/the-mona-lisa-doesnt-tweet/

Take care with your time and your attention. They are precious and finite.

Sans Social

Fountainverse 2018 Recap

On October 12th, 13th, & 14th, small press poets from all over North America descended upon Kansas City to read poetry, sell poetry books, and enjoy all that KC has to offer. What used to go by the moniker of “The Kansas City Poetry Throwdown” (cf. https://jasonpreu.com/2016/04/19/some-of-the-writers-from-this-weekends-poetry-throwdown/ & https://www.facebook.com/pg/Fountainverse/videos), was this year rebranded with a new mission to focus on small presses publishing poetry.

In attendance were:

Outlandish Press (Cleveland, OH)

Spartan Press (Belle, MO)

Epic Rites Press (Alberta, Canada)

Aztlan Libre Press (San Antonio, TX)

Write Bloody Publishing (Los Angeles, CA)

CWP Collective Press (Buffalo, NY)

Additional, there were many representatives from Kansas City area poetry organizations & events, such as Kansas City Poetry Slam, The Riverfront Reading Series, and the Latino Writers Collective.

We partnered this year with Kansas City’s Charlotte Street Foundation and their help and support pushed us into new levels of what we could provide attendees and audiences.

The team that puts this event on is made up of Jeannette Powers, Samantha Slupski, Brandon Whitehead, and me.

I encourage any and all small poetry presses out there reading this to reach out to us (https://www.fountainverse.com) and make plans to attend next year. I can’t emphasize enough how much collaboration and cross-city pollination occurs every year after we put one of this events together. Even if you are not selected as a featured press/reader, there are plenty of opportunities for you to present and perform and sell your work.

Fountainverse 2018 Recap

Preu’s Wager

A rational person, or collective of persons, should live as though human-caused climate change exists and seek to reverse human-caused climate change. If human-caused climate change does not actually exist, such a person, or collective of persons, will have only a finite loss (some pleasures, luxury, convenience, etc.), whereas they stand to receive infinite gains (as represented by the perpetuation of the species) and avoid infinite losses (extinction).

Preu’s Wager

Huron Cemetery Poems IX

August 22, 2018

It’s too hot to sit with the dead today
     so I float above them,
     hanging on for dear life to the strings
     of a bunch of many-colored balloons.
Up high, where the air is much cooler,
     the oxygen less dense.
The vacuum of space waits hidden above me;
     a black, gaping maw poised to chomp.

Death above, death below, dying in between,
     one hand gripping balloon strings,
     the other trying to choke down a mustard-soaked sardine sandwich.
In the distance, beyond the curve of the earth,
     a thing so monumental its name cannot fit into a human ear.
In the distance, all lived pasts and livable futures.

There may be a mustard stain on my crisp, white shirt
     but I’m afraid to look.
Perhaps the dead have asked me to stay away today.
It’s probably not so hot outside after all.


Capture

Huron Cemetery Poems IX