Tonight, Madcap Poetry at Uptown Arts Bar in KC, MO

https://www.facebook.com/events/1019515224872771/

Join Fountainverse: KC Small Press Poetry Fest organizers Jason Preu, Samantha Slupski, and Brandon Whitehead as they welcome Nathanael William Stolte of Buffalo, NY and Cringe-Worthy Poets Collective Press. Special guests, Chigger Matthews aka Matthew Haines and the one and only #bathtubpoet, New Jersey’s own Damian Rucci!

The return of BDUB 4000, the original robot poet will be the star of the show! Don’t miss this funny and piquant event, which brings some lightheartedness and humor to poetry.

No cover, but LOTS of amazing books will be available! Bring cash for poetry to stir the soul and tickle the heart!

Tonight, Madcap Poetry at Uptown Arts Bar in KC, MO

To That Which We Are Entrusted

And who was Joshua anyway but a common man come to tell the common man how to get by in a world like this?

This here world built on rich men’s dreams in rich men’s eyes for rich men’s bodies.

You see, a rich man ain’t got to love nothing. Only thing he’s got to do is open his purse and say the word.

Hell, sometimes it’s better if he don’t say any words a’tall, just hush it up all quiet-like so there ain’t no trail, ain’t no truth to the matter.

But a poor man’s got to love everything to get by in a world like this, a world he’s set to inherit.

Got to love that what itint fair.
Got to love that what puts him down.
Got to love that what hates him just for watching the same goddamn blue sky.
Got to love that what hates.

Got to love
that what hates.

Got to love murder by the ruling class, stuck through with a handful of rusty nails, up on some old dirty wood, bleeding out over all creation just so the other poor folk’ll keep in mind: all your days you got to love that what hates you ‘til this here world sets you free at last, free at last.

To That Which We Are Entrusted

The Claims of the Giants

In mythology, the giants were birthed from the blood of Uranus’s castrated prick wherever it splattered across the womb of Gaia.

The earth sometimes takes issue with the heavens – and can react in most uncontrollable ways.

Still, the Olympians killed the overgrown with the help of the mortal, Heracles.

In economics, continuous growth is a virtue, coupled right alongside a few humans’ endless creativity.

Earthly wealth often forgets the heavenly birthright of the tired and the poor.

Still, money talks and human capital jaywalks with the help of a demographic fighting its long-term survival.

In biology, we call continuous growth a cancer.

A body sometimes rebels against itself to save itself with no awareness that it’s ending itself.

Still, the old gods watch the new giants’ invisible hands; the old gods quietly wait for a new Heracles to nock an ancient, accurate bow.

The Claims of the Giants

Never Interrupt Us When We’re Talking to Ourselves

Time travel is not what we think it is.
There are no wrinkles, no loops,
no grandfather paradoxes waiting
with cold hands to snuff us out
when we inevitably drink the wrong
A&W Root Beer the night of July 4th, 1992,
causing us to flirt with John instead of Bill,
and, well, we know from there…
or when we stumble upon our past selves
taking a poo with Reader’s Digest at hand
while visiting Grandma’s trailer
the weekend of April 11th, 1987,
so young and constipated we were,
we reach out to our surprised face,
our old face hovers in the door frame,
watching our wrinkled hand reach out
knowing full well we’re violating
The Timecop Principle and how selfish
are we to come back in time to prevent a history
because we’re in an unsatisfactory now
and unwilling to entertain other futures
forgetting that there are no anti-photons,
that light travels forever
and that Jean Claude Van Damme
is neither physicist
nor guidance counselor.

Never Interrupt Us When We’re Talking to Ourselves

Believing, Doing, and Sharing in What Was True

We can walk around the block
in the time it takes us to listen
to Wang Chung’s ‘Dance Hall Days’,

so I wanted to write a poem
tying the song’s lyrics
to observations made along the way.

For instance, I’d quote,
“And take your baby by the ears”
as we stroll by the police station

while employing certain literary tools
to highlight comparisons between the cops
and now-faded pop stars from the 1980s.

And I’d somehow tie together,
“And you need her and she needs you,”
to urban gentrification

and how pushing away the poor has somehow
escaped potential developers of downtown Kansas City, Kansas
despite wholly reshaping Kansas City, Missouri into something…else.

And then I’d end the poem repeating,
“Dance hall days, love, dance hall days
dance hall days, love, dance hall days.”

But without a smoking sax solo,
the entire affair seemed hopelessly missing
that something wholly necessary for lasting greatness.

Believing, Doing, and Sharing in What Was True

Huron Cemetery Poems VIII

May 15th, 2018

Unknown

Bits of broken tombstone surround the tree of life, jagged little reminders that all monuments someday crack and crumble.

A speck-like spider falls from the tree of life onto my pale hand. Before it has a chance to find its own way home, I send it to the land of wet grasses on a gust of self-generated wind. I have never cared for spiders, however minuscule.

I count no less than twenty shards of gravestone and wonder if the tree of life is to blame. The tree of life, grown so large from all the now-quiet bodies if hovers over while under the bone-infested ground, the roots of life seek water.

I spy no faces upon the tree of life’s cracked and ornery skin. I only spy black ants and sick-yellow lichens.

Are the faces then underground with the roots or perhaps higher up on the trunk, well above eye-level, spied only by wandering drones or a telescoping eye from a nearby window? Are the faces then in the branches, obscured by oblique leaves?

Perhaps the tree of life has no faces at all…

Perhaps the tree of life is just a dis-envisaged voice repeating so slowly, “So happy now you’ve gone.”

And what then for us still left to hear?

What new lessons do we have to share?

Huron Cemetery Poems VIII

Huron Cemetery Poems VII

May 10th, 2018

MANY UNMARKED GRAVES
IN THIS AREA
WILLIAM E. CONNELLY
SURVEY OF 1895-1896

In Kansas City, we finally lost the Spring. We finally lost rebirth. The birds now arrive too late. There is an ambulance, a fire truck, a police car, a sleeping man, a city bus, a casino, and authentic Mexican food. I mistook for a woman carrying a baby a woman carrying her coat and shoes. Bare feet traipse through the cemetery grass and not one eye open for green snakes in the sun. Google says they don’t bite and I have long forgotten what my grandmother once told me about the legless. For years, the rumor in our family was that we were touched by Cherokee blood. Had my genome sequenced over Christmas and we were all made to forget many things grandma once told us about us. Remembered then that history can always be erased. History is a dandelion’s seed borne high upon a lost Spring wind. History is bone and word and point of view. My body ages and aches because of history and a lack of magic mushrooms. Walking across the curved earth our feet gather dust and pain but, after a while, we recall how to traverse over sharp objects and how to respect the dirt. In Kansas City, we leap from cold to hot and shift with the quickness from slight to shot. I dreamed I needed a history to claim a home. But what can a history be without a home to first anchor it? Grass grows where it’s allowed until it remembers its history. Nature doesn’t take sides. History does. Dandelions grow where they are needed and do you see how many dandelions there are? In the daytime, we walk over sharp, broken bones and our thick-soled shoes provide such sweet relief from constant hurt and filth but, in the end, they completely wreck our posture and we find ourselves lost between Winter and Summer, reading through our travel diaries and seeking trained hands to help us stand up straight again.

Huron Cemetery Poems VII