World Eater, by Blanck Mass
Blanck Mass, we learn, is intended to represent “a previous year teeming with anger, violence, confusion and frustration”, and as the nine minutes of Rhesus Negative unfold hyperkinetically, a treated voice somewhere very deep in the mix conveying some nameless dread, it does feel as if one is being smacked repeatedly around the head with an analogue synth, albeit in a good way.